ARIANE CRAFTS

ARIANE CRAFTS blog . For not for profit handbags and rugs visit www.arianecrafts.com .For bookings or request of handmade items for local weekend Fairs, Charity and community events refer to Contact at www.arianecrafts.com

Monday, May 31, 2021

GEORGIA SUMMER HANDBAG is the perfect solution for Charity shops! Exclusive creation by Ariane Crafts

 Georgia Summer is a perfect example of a handbag ethically sourced, environmentally friendly and based in traditional folklore techniques . Whether you are a Charity like Oxfam or a small community group, selling handbags made in London might prove the right way to reach to your donors and to maintain your values. For example, some charities feel that their products should be animal cruelty free, environmentally friendly or made by locals. if this is the case for your Charity , Georgia Summer handbag fits all these criteria and more as looks great next to a large pink tote bag as per picture below , is stern and holds bulky items. Want to know more? Get in touch with us!


ARIANE CRAFTS - GEORGIA SUMMER HANDBAG

- May 31, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Sunday, May 23, 2021

My opinion on the 1776 History Curriculum debate

 


Dear followers,


If you are involved in American politics or activism you will be aware that this weekend the spirits are high in social media over the reunion of the closed 1776 Commission .

Fox News conducted an interview to the 1776 Commission Vice Chair Dr Carol Swain to obtain information as to how the commission members planned to meet and work despite its earlier closure this year.

Dr Carol Swain advised the public, especially parents, to purchase the book '1776 Commission report', but I would like to ask parents to prior to purchasing reading it for free online here 

Not only you will be saving yourself money but you are in your legal right to read for free public documents covering the US National History Curriculum.

Regarding race I must say that public debates often reflect the problems Afro Americans are presently having and this does not come from white racists but from other minorities and Black Africans in America involved in debates that should concern only Afro Americans, by this I mean historically Afro Americans - Americans taken to the US during the transatlantic slave.

A perfect example is this recent debate regarding the White superman vs the future possibility or coming project as is not fully materialized yet, of a Black superman.

To see so many Black Americans from Nigeria claiming that the White superman should not be black and that the woke culture is destroying race relations truly shocked me as to my understanding Nigerians were the mostly engaged people in selling Africans during the transatlantic slave trade and in importing exploitation of black on black in US soil. Their counterparts mixed with French in New Orleans bread a population of mixed race women and black women who enforced slavery, arranged high society balls to hook black women with white men so as to settle black women in the position of mistresses with their own black slaves and created a narrative of European beauty standards which does not reflect African nationalist movements and beauty standards of the continent in our days.

The fact that Nigerians, especially Yorubas have racist terms for Afro Americans such as AKATA - COTTON PICKER'  should also be a reminder that the race theory debate in the US should not be based in race itself but in AFRO-AMERICAN HISTORICAL HERITAGE

It should also be a reminder that contrary to many, like me who thought 'Wow an Afro American Superman, congratulations peeps!'', not everyone will be happy and therefore, not surprisingly, will be all over the social media speaking as black experts in race when their race does not add to the present 1776  Commission debate.

What adds and should be the only relevant factor is that the parties involved are historically involved in the 1776 Curriculum Debate by matter of racial-cultural heritage.

By that I mean, people who are Native Americans, Afro Americans since 1776 and Anglo Americans since the Colonial incipient times where bank holidays were established to commemorate their arrival but to others is a reminder of massacres, namely to Native Americans.

This 1776 Commission was formally closed but has not ended socially because groups in America with a strong family heritage related to the colonial period still want to see their family history reflected in the History curriculum their children learn at school.

So how can we say that this is all about race or all about promoting racial harmony or on the other side of the debate promoting racial justice because as an historian I feel history in the curriculums should be about having everyone included, and schools should have local history curriculums integrated to their national curriculums so children know how their country came to be , who lived there , what trades existed and how their present social geography reflect their environment.

I give you an example, I live in Penge, Bromley, Kent, and a few years back some local historians were arguing that we paid too much in train and buses fares and this was keeping families from venturing out of their areas to get a job and hence why so many unemployed youth ( because the youth would be unable to survive while working so far away , paying 350 per train passes with buses and taxes on top) .

This is something that got me thinking why London has so many zone borders and just because of one trains station up or down , the next one has to pay more £100 per month on trains, subway and bus passes. Certain local historians argue this zones  were created to sublimely  keep certain social classes from leaving and stop doing the cheap work, so is a historical social class oppression.

Now imagine if we take this local British debate of the costs of trains, buses, and subways which are just really insane prices, to the US and apply to the present groups which are there since the beginning of the colonial times and 1776.

I would also say now imagine, we introduce other social disciplines like Geography to map post World war migration from Europe to the US and how the local authorities namely Chicago used their migration quotas to give work to Nazis ( many , many Nazis ) and exclude the first and second generation of free Afro Americans from work and housing.

What will this mean in historical terms and why are these terms  not included in this 1776 Report.? Now note, I am not saying I am for or against the incendiary  1776 Curriculum stances in this debate , I am just trying to see the picture in reasonable terms.

In historical terms, we have a process of instituting  nativism in Afro Americans by means of exclusion of job market lined with their qualifications, of education allowing them to further their academic studies , struggle to get welfare security to cover their basics and most importantly Local Authorities over zealous permissions to alcohol and gambling shops.

I must say that this of the local authorities passing speedy licenses to alcohol and gambling shops is also an issue of white local historians where I live in Penge and I heard and watched them debate this issue in local residents groups and I am very grateful to have had the opportunity to be present in local residents groups, namely Penge Forum to learn how history matters - every where , for every one.

So, going back to two paragraphs above, this institutionalizing of nativism in Afro Americans , is no different from what occurred to Native Americans and most importantly occurred and occurs very visibly in Australia with the Aborigines.

What I would say here is that sociology has done no favors to historians and often mixes capitalism and exclusion with  the historical heritage of Afro Americans.

People have survived and still survive in society happily at the margins , because often the mainstream media does not cover nor includes their identity and lifestyle in their daily reporting, but this is a sociological approach that has nothing to do with history nor with "the want" ,"the need" to be included in history books as an agent and not as a victim of history, and likewise to have their slave owner acts against them listed in history books.

When Afro American historians state 'Well you have Harriet Truman in history books', the Afro American historians that advocate teaching only about the 1776 curriculum say , but you do not have my great great grandfather death or how his community were sold out , their family's units disregarded, how these rich families of today got rich in my local county. You have Ford, you have the history of industries and proletarian trade unions but you do not have how the same proletarian unions excluded Afro Americans and embraced illegal Nazis in America after the Second World War.

What was it that allowed so many Afro Americans who fought in the Second World War returning to Chicago etc. and having swamps of illegal Nazi Europeans from Italy and Eastern Europe, working legally and today we have their children still legal citizens in the US?

Was it the skin color or was the historical heritage?

The fact that Africans still make their way today illegally to the US at all means possible and imaginable leads me to believe that is a historical heritage problem and not a racial problem and eventually this historical heritage problem will be resolved in history curriculums if each State in the United States dedicates one term to the local history .

You will say to me 'Well  Ariane, Afro Americans are not Natives, so local history?'.  My answer is that the institutionalization of discrimination against Afro Americans was done towards excluding something (not someone(s) ), that was (were ) shipped to the US to make profit, so the dehumanization is already there. 

While Native American women are happily at home doing their crafts, textile crafts, Afro Americans will not feel happy as is not part of their heritage and might feel further vulnerable because as a crafter myself , I know it takes time and you don't have energy for the gym, maybe walking, but it consumes you and reflects your culture, your identity; Afro American women on the other hand , have the awareness- that is almost robotic -that they need public social services, they have to be engaged in some sort of life celebration, body worship, partying or socializing , living their lives because their history and social media tells them - correctly tells them - that their lives are too short, too vulnerable and can end at any minute without any fault of their own because there are people , especially people in institutions, who can get away with their murder, Breonna Taylor, being the perfect example of that, a young Afro American woman bulleted to death in her sleep yet framed for ever in her mothers framed picture as a young woman wearing a uniform.

In my opinion, there are no answers to the question of Historical dispossession  of Afro Americans - especially their lives as illustrated with Breonna Taylor death during her sleep - without revising the US History  curriculum to include more agency of Afro Americans but also agency of the horrible perpetrators of evil deeds against them. 

Without this, the stress element in Afro American women lives today cannot be sedated. Again remember local history should be intertwined with this Curriculum for the reasons mentioned in this post, especially as many American colonizers in the US never benefited from slavery and were exploited themselves during Laboral relations, hence why the family names of slave owners should be publicly listed in local history school curriculums.

Thank you for reading,

Best wishes,

Ariane Brito






- May 23, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Monday, May 17, 2021

MY NEW T-SHIRT YARN TABLE CENTRE

Pinterest   








- May 17, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Friday, May 14, 2021

*1876* British Manufacturing Industries: Guns, nails, locks, wood screws, railway bolts and spikes, buttons, pins, needles, saddlery, and electroplate, by W. C. Aitken. Pens and papier Mache, by G. Lindsey – G. Phillips Bevan : "Needles" pages 103-126

 


Dear followers,

Today I share the complete chapter " Needles" of the 1876 book 'British Manufacturing Industries'.

Before the scans please find below photos of the book so you can see for yourself how unique and well bounded the book is, -and remains as such-, after one century and a half of existence.

The book is part of a collection of  books dedicated to list the sources , means of capital and production and locations of the British Manufacturing Industries during the Victorian era.

The author places quite a heavy emphasis of the Needles industries  in Birmingham trades, but note however. that the prominence of the needle manufacturers in Birmingham at the time was truly exemplary and characteristic of the whole needle industry as a whole , especially considering the methods of manufacturing the needles.

The methods of financing and purchasing the wire are not only indicatives of the difference between the manufacturers of pins and needles but also an indicative of modernity as you will see ahead of the chapter. Hope you enjoy the scans,











In page 103

Above page 104

Above page 105

Above page 106

Above page 107


Above page 108


Above page 109

Above page 110

Above page 111

Above page 112

Above page 113

Above page 114

Above page 115

Above page 116

Above page 117

  Above page 118

Above page 119

Above page 120

Above page 121

Above page  122

Above page  123

Above page  124

Above page 125


Above page 126


in 1876 British Manufacturing Industries: Guns, nails, locks, wood screws, railway bolts and spikes, buttons, pins, needles, saddlery, and electroplate, by W. C. Aitken. Pens and papier Mache, by G. Lindsey – G. Phillips Bevan: " Needles" , pages 103-126


Best wishes,

Ariane






















- May 14, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: BIRMINGHAM INDUSTRIES, NEEDLES MANUFACTURERS, VICTORIAN MANUFACTURERS, VICTORIAN NEEDLE MANUFACTURERS

Thursday, May 13, 2021

*1915 COMPLETE CROCHETED EDGINGS AND INSERTIONS BY ADELINE CORDET




 

- May 13, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: CROCHET BORDERS, CROCHET EDGINGS, CROCHET INSERTIONS, READ ONLINE

* US Copyright Notice dated 1915

 

Dear Followers,

Please find below Copyright Notice for the issue we are re-publishing later on today via our Blog.

CROCHETED EDGINGS AND INSERTIONS BY Adeline Cordet was copyrighted over a century ago and published by Valley Supply Co., St. Louis.

We hope that you enjoy our next post where we share the full booklet by Adeline Crochet on how to made simple decorative Crocheted Edgings and Insertions. 







Best wishes,

Ariane




- May 13, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: 1915

Wednesday, May 12, 2021

* Complete CROCHET AND TATTING CRAFT BOOK No 1 By Anna Valeire

 Dear followers for more information on Anna Valeirie Crochet and Tatting Books, please refer to book Crochet Edgings and More by J. and K. Kliot 






Please note that we will also be publishing here the booklet mentioned above CROCHETED EDGINGS AND INSERTIONS BY ADELE CORDET.

For copyright notices regarding all Anna Valerie publisher works please refer to Catalog of Copyright Entries. (1907). United States: U.S. Government Printing Office.

Also, any suggestion to add Anna Valeirie Book 1 to the link of the publication to Bella Online - The Voice of Women- , will be much appreciated. 

Thank you for reading, also please follow us on Pinterest

Best wishes,

Ariane




- May 12, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: AMERICAN CULTURAL HERITAGE, CROCHET AND TATTING BOOK, VICTORIAN CROCHET AND TATTING

Done!

Left : Done 
Left: How I plat my hair before going to bed

Left: Low heat keeps the hair moist while high heat burns the hair



I plat from right to the centre as the back of the head is where I release more sweat during the night.

I am happy as the ends are healthy.

The hair looks shorter and with more volume what is more appropriate to my age.
Looks a bit wet but is healthy, over drying is never a good idea!


If the bottom of the head looks wet I am not bothered, rather that than burnt!

I start the plat on top of my front but pull the hair from the left all the way to the top to start the plait around my head. This is a Brazilian technique but in Continental Europe is quite popular, mostly though with pins rather than a plait. 

 
Volume okay.


Hair on the right side of my head looking visibly wet on the ends but okay as not a fan of heat- each weekly heat dose well managed!!!



Hair looks way shorter so yay!!!

This is how much it curls. brilliant as saves me the haircut and makes the top of the head look fuller in comparison with the wet ends.

Ladies, how healthy is your relationship with blow dryers?

Best wishes,

Ariane

 

- May 12, 2021 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Newer Posts Older Posts Home
Subscribe to: Posts (Atom)

4,000 Visitors - Thank you all followers!

 

  • *British History Heritage Shire Library: Bloomsbury Publications
      I would define the Shire Books by Bloomsbury as concise, well researched, affordable, summarised to the most essential and accurate succi...
  • Quarantine got me! Started the month with pitching cookies to supermarkets!
      What has quarantine or lockdown made to you? Well, turned me into a self made indoors baking expert and cyber stalker of supermarkets like...
  • Today I attended the Virtual ' I am Power Rising Summit '
    Today I had the pleasure of attending a virtual summit brought forward by inspiring women that wanted to inspire others, support others and ...

Total Pageviews

  • Home
  • ABOUT
  • BOOKS BY ARIANE BRITO
  • HUMANITARIAN COV-19 VACCINES CAMPAIGN
  • HANDMADE AND DONATED BY ARIANE CRAFTS
  • Book Reviews

About Me

My photo
Ariane Crafts
View my complete profile
  • November 2021 (1)
  • October 2021 (11)
  • September 2021 (12)
  • August 2021 (16)
  • July 2021 (18)
  • June 2021 (25)
  • May 2021 (26)
  • April 2021 (46)
  • March 2021 (3)
  • February 2021 (3)
  • January 2021 (5)
  • December 2020 (4)
  • November 2020 (16)
  • October 2020 (14)
  • September 2020 (9)
  • August 2020 (13)
  • July 2020 (41)
  • June 2020 (1)
  • April 2020 (5)
  • March 2020 (3)
  • February 2020 (1)
  • January 2020 (3)
  • December 2019 (2)
  • November 2019 (4)
  • September 2019 (1)
  • August 2019 (21)
  • July 2019 (1)
  • March 2019 (6)

Labels

  • 1830
  • 1830 MODERN DOMESTIC COOKERY BOOK
  • 1847
  • 1860
  • 1860 THE ENGLISHWOMAN'S DOMESTIC MAGAZINE
  • 1870
  • 1875
  • 1880
  • 1882
  • 1882 SYLVIA'S BOOK OF MACRAME AND LACE
  • 1885
  • 1886
  • 1889
  • 1889 ADVERTISEMENT
  • 1889 EMBROIDERY AND L ACE THEIR MANUFACTURE AND HISTORY FROM THE REMOTEST ANTIQUITY TO THE PRESENT DAY. A HANDBOOK FOR AMATEURS
  • 1889 HOOKS
  • 1893
  • 1896
  • 1896 WOMAN'S LIFE MAGAZINE
  • 1900
  • 1900 THE BOOK OF THE HOME
  • 1902
  • 1904
  • 1905
  • 1905 A.F. KENDRICK
  • 1908
  • 1910
  • 1914
  • 1915
  • 1916
  • 1919
  • 1919 THE NEEDLEWOMAN MAGAZINE
  • 1932 BOOK
  • 1947 Mary Thomas 'Teach Yourself Embroidery'
  • 55 Embroidery Projects in Miniature
  • ADELINE CORDET
  • AMERICAN CULTURAL HERITAGE
  • AMERICAN DESIGNER
  • AMERICAN DESIGNERS
  • AMERICAN HERITAGE
  • AMERICAN HOUSEHOLD NAME
  • AMERICAN HOUSEHOLD NAMES
  • AND GENERAL READERS.
  • AND LACE
  • ANN MCBETH
  • ANNA VALERIE
  • ARAB CULTURAL HERITAGE
  • ARIANE 1880'S OBJECT OBSERVATIONS
  • ARIANE CRAFTS
  • ARIANE CRAFTS BENCH COVER
  • ARIANE CRAFTS CHILDREN'S SCARF
  • ARIANE CRAFTS CROCHET HOOK EVOLUTION
  • ARIANE CRAFTS GOOGLE ARCHIVES
  • ARIANE CROCHET AND KNITTING TOOLS EVOLUTION PART 1
  • ARIANE CROCHET AND KNITTING TOOLS EVOLUTION PART 2
  • ARIANE FAVOURITE BOOK
  • ARIANE VOLUNTEERS
  • ART NOUVEAU EMBROIDERY
  • BABY HAT
  • BIRMINGHAM INDUSTRIES
  • BOOK REVIEW
  • BRITISH ARCHEOLOGICAL EVIDENCE
  • BRITISH CULTURAL HERITAGE
  • British History
  • BRITISH HISTORY SOURCES
  • BROMLEY HIGH STREET HISTORICAL SHOP
  • Bucilla Christmas Bells
  • Bucilla Christmas Carnival
  • BUCILLA KIT
  • BUCILLA XMAS KIT
  • BUTTERICK
  • BUTTONHOOKS - A GUIDE FOR THE COLLECTIOR
  • CANVAS EMBROIDERY
  • CANVAS WORK
  • CARTWRIGHT'S LADY'S COMPANION
  • CELTIC DESIGNS
  • CHRISTMAS DECORATIONS
  • COLLECTORS
  • COLONIAL BRAIDED RUG
  • COUNTRY EMBROIDERY
  • COUNTRY WOMAN
  • COUNTRYSIDE NEEDLECRAFT SOURCE BOOK
  • CRAFTS COUNCIL
  • CROCHET AND TATTING BOOK
  • CROCHET BOOK
  • CROCHET BORDERS
  • CROCHET EDGINGS
  • CROCHET HISTORY . HERITAGE CROCHET
  • CROCHET HOOK EVOLUTION
  • CROCHET INSERTIONS
  • CROCHET TOOLS HISTORICAL CLASSIFICATION
  • CROCHETED GIFT NOVELTIES
  • cross stitch fancy handbag
  • CUSHION KIT REVIEW
  • CUSHION KITS REVIEW
  • DESIGN HISTORY
  • DESIGNER
  • DESIGNER NEEDLEPOINT
  • DICTIONARY OF NEEDLEWORK
  • DMC's STITCH YOUR PHOTO services
  • DOLL MAKING
  • DOLLS HOUSE CROSS STITCH
  • DUFTIN CHRISTMAS KITS
  • DUFTIN REVIEW
  • Edith Nielsen Scandinavian Embroidery
  • EHRMAN NEEDLEPOINT
  • EHRMAN TAPESTRY
  • Elizabeth Bradley
  • EMBROIDERY HISTORY
  • EMBROIDERY KITS
  • ENGLISH CULTURAL HERITAGE
  • ENGLISH EMBROIDERY
  • ENGLISH GARDEN EMBROIDERY
  • EXECUTED BY ARIANE CRAFTS
  • FAMILY HEIRLOOMS
  • FELT RUNNER
  • FINISHING TECHNIQUES FOR CROCHET
  • FLORA KLICKMANN
  • FOLK ART NEEDLEPOINT
  • Folk Bags: 30 Knitting Patterns and Tales from Around the World
  • GEORGE NEWNES LTD
  • GEORGIA SUMMER
  • GOBELIN
  • GOBELIN FROM GREECE
  • GREEK TAPESTRY DESIGN
  • HAND EMBROIDERY
  • HANDBAGS PROMOTIONAL VIDEO
  • HANDBOOK OF KNITTING AND CROCHET
  • HANDCRAFTED RUGS
  • HANDMADE BAGS. HOW TO REUSE AND RECYCLE FABRICS
  • HARDANGER
  • HAYWAYS PLATE
  • HERITAGE RUG HOOKING
  • HISTORIANS ATTENTION!
  • HISTORICAL EVIDENCE
  • HOMEMADE GIFTS
  • HOMEMADE GIFTS VINTAGE STYLE
  • HUGH EHRMAN EDITIONS
  • HUNGARY BUSINESS
  • INSTANT DOWNLOADS
  • International Dolls Makers Association
  • IRISH CULTURAL HERITAGE
  • ISLAMIC CULTURAL HERITAGE
  • ISSUE 1
  • JENNIFER GRAY
  • KAFFE FASSET
  • KAREN ELDER
  • KIT REVIEW
  • KITS REVIEWS
  • LEISURE ARTS PUBLISHER
  • Lis Bartholm Scandinavian Folk Designs
  • LUCY PAINTER BOOKS
  • MAKING HANDBAGS AND PURSES Paperback – 5 Oct. 2000
  • MARIE CROSS STITCH INDIVIDUAL KITS
  • MARION KONIOR
  • MEDIEVAL NEEDLEPOINT
  • Melinda Coss
  • MENTAL HEALTH
  • MINI CROSS STITCH
  • MRS RUNDELL
  • NATIONAL GALLERY CROSS STITCH
  • National Institute of American Dolls Artists
  • NEEDLECRAFT ARTISTIC AND PRATICAL
  • NEEDLEPOINT BOOKS
  • NEEDLEPOINT HISTORY
  • NEEDLEPOINT KITS
  • NEEDLES MANUFACTURERS
  • NEEDLEWORK MAGAZINE
  • Needlework Masterpieces
  • NEEDLEWORK THROUGH HISTORY
  • occasion handbags
  • OTTOMAN EMBROIDERY
  • PARIS STITCH
  • Past and Present 1978
  • PAULINE TURNER
  • PERI-LUSTA
  • PICOT
  • PRINTED CANVAS
  • QUICK CROSS STITCH PROJECTS
  • QUILTING STEP BY STEP BOOK
  • READ ONLINE
  • RECYCLE CLOTHES
  • RECYCLE OLD CLOTHES
  • RIBBON EMBROIDERY
  • ROWAN STITCHING COMPANY
  • ROYAL SCHOOL OF NEEDLEWORK
  • RUGS AND WALL HANGINGS
  • RUSSIA BOOK REVIEW
  • RUSSIA NEEDLEPOINT
  • RUSSIA NEEDLEPOINT DESIGN
  • RUSSIA PRIMITIVE EMBROIDERY
  • RUSSIAN BOOK REVIEW
  • RUSSIAN EMBROIDERY
  • RUSSIAN EMBROIDERY BOOK REVIEW
  • RUSSIAN FOLK MOTIFS
  • RUSSIAN GRAPHIC DESIGN 1880-1917
  • RUSSIAN KERCHIEFS AND SHAWLS
  • RUTH PETALSON
  • S.F.A. CAULFIELD
  • SCANDINAVIAN CHARTED DESIGNS FROM THE ARCHIVES OF THE LINDBERG PRESS
  • SCANDINAVIAN CULTURAL HERITAGE
  • SCANDINAVIAN DESIGNER
  • SCANDINAVIAN EMBROIDERY
  • SCANDINAVIAN PATTERNS
  • SCANDINAVIAN PRIMITIVE PATTERNS
  • SCANDINAVIAN TEXTILE HISTORY
  • SEARCH PRESS
  • SHOP CATALOGUE
  • SILK INDUSTRY
  • TEXTILE HISTORY
  • THE BOOK OF DOLL MAKING
  • THE COMPLETE BOOK OF DECORATIVE KNOTS
  • The Crafts Institute
  • The Encyclopedia of Sewing Techniques
  • the Guild of Master Craftsmen
  • THE GUTTENBERG PROJECT
  • The Illuminated Book of Needlework
  • The Lady's Book of Knitting and Crochet
  • THE LADY'S WORLD
  • THE LEISURE HOUR
  • THE NEEDLECRAFT BOOK
  • THE NEEDLEWORK ECONOMIES
  • THE PERI-LUSTA HANDBOOK: A GUIDE TO ART AND FANCY NEEDLEWORK
  • The Professional Doll Makers Art Guild
  • THE RELIGIOUS TRACT SOCIETY
  • THE STITCHERY ANNUAL
  • THE STITCHERY MAGAZINE
  • THE SYLVIA'S BOOK OF MACRAME
  • THE WOMAN AT HOME
  • THE YOUNG LADIES JOURNAL
  • TRADITIONAL BRITISH HOUSEHOLD NAMES
  • TRADITIONAL SAMPLERS
  • TRAY CLOTH
  • TURKISH CULTURAL HERITAGE
  • TURKISH EMBROIDERY
  • TURKISH TRIANGULAR STITCH
  • TWILLEYS OF STAMFORD
  • TWO HOURS CROSS STITCH PROJECTS. BOOK REVIEW
  • VERVACO
  • VICTORIA AND ALBERT MUSEUM
  • VICTORIAN AND ALBERT MUSEUM
  • VICTORIAN CROCHET AND LACE HOOKS
  • VICTORIAN CROCHET AND TATTING
  • VICTORIAN CROCHET BOOK
  • VICTORIAN EMBROIDERY
  • VICTORIAN LACE
  • VICTORIAN MACRAME
  • VICTORIAN MAGAZINE
  • VICTORIAN MANUFACTURERS
  • VICTORIAN NEEDLE MANUFACTURERS
  • VICTORIAN NEEDLEPONT
  • VICTORIAN NEEDLEWORK
  • VICTORIAN SCARF PATTERN
  • VICTORIAN WOMEN
  • VINTAGE BRITISH MOVIES
  • VITORIAN HARDANGER
  • Wardle and Davenport Ltd
  • wedding crafts
  • wedding handbags
  • WILLIAM WOODFIELD AND SONS
  • WOMENS HISTORY

Pages

  • Home

Translate

Report Abuse

Simple theme. Powered by Blogger.